HISTORY OF UP NAMING MAHAL

The UP Oblation

I learned singing UP Naming Mahal during my first year in college. No one taught me personally how to sing the song. I just listened to folks as they sung it. When I was elected to the Student Council of UP Tacloban during my third year in college, I was one of the councilors who proposed to launch a campaign on how the students would appreciate more about our hymn. We invaded every classroom, and someone would sing the hymn in front of the students (definitely not me!). It makes me feel proud every time I sing it. The following historical account of UP Naming Mahal was taken from UP centennial website.

A Bit History of UP Naming Mahal: How It Came To Be

Sometime in the early 1920s, a contest was held to give expression to that elusive thing—the “UP Spirit.” A contest was held to select the lyrics to be put to music, and both words and notes were to move both students and alumni to recall what it meant to belong to the [University of the Philippines]. The winning entry was written by Teogenes Velez, a Liberal Arts student.

The song, “UP Beloved,” was first sung before a UP audience in 1917. And from then on it has been a party of all UP activities.Then another contest was held to set the winning poem to music. Legend has it that a student at the Conservatory of Music, Nicanor Abelardo, had just returned home from a town fiesta in Pampanga and his wife reminded him of the contest’s deadline, which was noon of that same day. Whereupon the young man sat down and in just one hour had the piece ready, and was able to submit it on time.The Filipino version, “UP Naming Mahal,” is a composite from seven translations received by a screening committee, which found none of them fully satisfactory, and contributed some lines themselves. Today, the song is as much an emblem of the UP spirit as the famous Oblation.

(The original key of the composition is B Flat major, which is too high for the average vocal range. Professor Hilarion Rubio of the Conservatory of Music suggested that it be in the key of G major and should be sung in the original tempo of eighty quarter notes in one minute.)

U.P. Naming Mahal

U.P. naming mahal

Pamantasang hirang

Ang tinig namin

Sana’y inyong dinggin

Malayong lupain

Amin mang marating

Di rin magbabago ang damdamin

Di rin magbabago ang damdamin

Luntian at pula

Sagisag magpakailanman

Ating ipagdiwang bulwagan ng dangal

Humayo’t itanghal, giting at tapang

Mabuhay ang pag-asa ng bayan

Mabuhay ang pag-asa ng bayan

Here's the original English version of UP Naming Mahal.

UP Beloved

U.P. beloved, thou Alma Mater dear

For thee united, our joyful voices hear

Far tho we wander, o'er island yonder

Loyal thy sons we'll ever be

Loyal thy sons we'll ever be.

Echo the watchword, the Red and Green forever.

Give out the password, to the Hall of Brave sons rare.

Sing forth the message, ring out with courage

All hail, thou hope of our dear land,

All hail, thou hope of our dear land.

Modified Lyrics (from Wikipedia.org)

In 1997, A musical play entitled "Lean" was held to commemorate the 10th year since the assassination of a prominent UP student leader during the martial law, Leandro Alejandro. In this play, Gary Granada, the one who made the libretto of this play, remixed the tune of UP Naming Mahal in a contemporary rock version and gave it a new and more "nationalistic sounding" lyrics, reasserting the purpose of the Iskolar ng Bayan as a Iskolar ng Sambayanan, Tagapaglingkod ng Taongbayan.
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The UP Oblation

he There is one role the profit-oriented knowledge institutions cannot take from the university: as a "center of wisdom," where wisdom is understood as the capacity to use one's knowledge and experience to arrive at a good judgement or a sound decision; where wisdom means the foresight and concern for the next generations. Only an authentic university has the organization, scope of learning and academic freedom to nurture wisdom.

--UP President Francisco Nemenzo

It is in this University where I was educated for four years in college.. and now, andito na naman ako for my master's degree.. I've learned a lot of things from my alma mater.. I am proud to be a UPian.. Dito nahubog ang aking pagkakakilanlan bilang isang indibidwal na malaya, may mga karapatan, at obligasyon sa bayan..

Tingnan mo ang istatwa ng Oblation. Ito ang pinakaimportanteng sagisag ng para sa mga mag-aaral ng UP. I just want to quote the following article from a website regarding the Oblation:

"In 1935, UP president Rafael Palma commissioned Guillermo Tolentino for the sculpture, with a request that the work be based on the second stanza of Jose Rizal’s “Mi Ultimo Adios.” That passage is replete with references to giving up one’s life for the country. Thus you have the outstretched arms, face looking toward the sky, almost evocative of the way Rizal himself was martyred.

The statue is actually concrete but it was painted to make it look like bronze. It cost all of 2,000 pesos, a hefty sum at that time, raised within two months from contributions of students and staff at the university.

Tolentino describes the statue, all the way down to “closed eyes and parted lips murmuring a prayer,” to represent “all the unknown heroes who fell during the night.” The base, filled with rocks, is supposed to represent the rugged Philippine archipelago. The rocks came from the town of Montalban, outside Manila, site of a fierce battle between Filipino guerrillas and the Japanese army during the last world war.

Also at the base is katakataka — literally, the plant that startles. Also known as siempreviva (always living), the plant is known for the way it shoots up, even from a leaf. Tolentino says this symbolizes “the deep-rooted patriotism in the heart of our heroes. Such patriotism continually and forever grows anywhere…”

It’s amazing how much symbolism went into the statue, all the way up to its height: 3.5 meters, to represent 350 years of Spanish rule. (You may have wondered, as I did, why there wasn’t another half a meter for 50 years of American rule, but the Oblation was put up in 1935, when we had become a Commonwealth but were still under the Americans.)

There are inscriptions on all four sides of the statue’s pedestal. On the front panel is an excerpt from Jose Rizal’s “El Filibusterismo,” a passage from Padre Florentino, asking where are the youth ready to offer their lives and their aspirations for the country? The good padre warns that only those without reservations should dare to offer those aspirations.

At the back of the statue is one stanza from Rizal’s “Mi Ultimo Adios,” again referring to the giving of one’s life, “in combat or in martyrdom.” Still another stanza from that poem appears on the right side of the statue, again talking about offering one’s life, “without doubts, without sorrow.”

Finally, perhaps anticipating debates that were to come in the 1970s about who our national hero should be, is a poem, “Pagibig sa Tinubuang Lupa” (Love for One’s Homeland), by Andres Bonifacio. Again, Bonifacio calls for patriotism, offering “dugo, yaman, dunong, katiisa’t pagod, buhay” (blood, wealth, knowledge, perseverance and untiring effort, and life)."

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